gawd this is long. but i'm going to do it anyway.
my fuzzy and hopefully accurate first recollection begins with my papa's three octave yamaha keyboard. keys as light as a feather and half their size. the dash full of cheesy songs and "beats" you could play. and i was really young, so of course i did, over and over in a tiny shag carpeted trailer bedroom in arkansas.
one day my nana came in told me to stop playing the programmed song over and over. she walked in on me and said something along the lines of, "well, i'll be." because it was me playing, rather than pressing "start."
shortly after i was put in piano lessons. on my first lesson my teacher asked what i could play. nothing, of course, that's why i was there. but i played for her "roll out the barrel" and "chopsticks" and other random things i had heard. she added new words to our vocabulary. "play by ear." and she catered to this for me. she'd give me a piece and play it first so that i could play it by ear and sort of "watch" what i was playing. she made me play the piano with something covering my hands so that i couldn't actually see the keys.
and i practiced and practiced on what we had, my papa's three octave yamaha. sometimes i got to practice on the nearby lodge's really messed up broken-keyed out of tune upright.
that teacher moved and we couldn't afford another.
then there was the fourth grade musical, "i love music." i hung out in the choir/music room until my ride came to pick me up after school because there was a piano. one day i started playing all the songs in our musical. the choir teacher sat down on the bench and asked me how i knew the songs. well, because i had been listening to them all semester, of course. i don't think it was really talent, on my part, they weren't particularly difficult. then i played for her a song i had written. i had just discovered minor keys! the next day she asked me if i wanted to be the accompanyist for the musical.
ha! it was my big debut. i can still remember what i wore. jean skirt and yellow blouse. she surprised me and had me play the song i wrote at the end of the show. i had my first standing o! it was all very exciting and after that i got another piano teacher.
then sometime after that my dad, the great bargain hunter, got a piano for like 25 or 50 bucks. boy, did that help.
then band and my amazing band instructor and the trumpet and french horn and jazz band and college and choir and the guitar and i've rambled on for too long as it is.
so i understand music. it makes sense to me in a multi-layered way that i may never be able communicate. despite all the goodness that was ripe when i was young i've very little technical abilities at all anymore if i ever had any in the first place. but i still feel it. and think it. like a language that no one else can speak. and when you see me at shows, not going crazy all over the stage or dancing, it's probably 'cause i'm more concerned with the internal dance than i am the external.
we have a keyboard now. with more than three octaves. and i still play occasionally. the weird thing is, i
cannot recreate anything. i just sort of sit and spill out the mood into an instrument and randomly benji will come in and push "record" which gives me all this weird pressure so i lose it and he records my mess. i call it my "musical doodles." now with the excuses. they're completely random, sporatic, off-timed, full of missed notes and totally uncharted. the levels are usually too high and awfully distorted. they are completely imperfect with a gazillion things i would change if i
could recreate them. i have no idea where i'm going when i play them.
but they make me happy. i'd thought i'd share a couple.
click to hear: - i drempt of amelie
- oh, life
- something cello
- love song for the wb