
memphis is full of dreams. know how everyone runs off to hollywood to gamble on their face and talent hoping to have an adventure and a fancy car to impress the folks back home by christmas? memphis is like the bizzaro world equivilent.
memphis
is the home of the blues. there are dirtier things and dirtier dreams and people do make it, telling these types of stories and telling them by any means possible. the history of memphis is a little fire of hope pushing people along. giving them something to talk about over the bbq. the mississippi river is right there, deep and wide. seems to inspire everyone who gets to see it.
musicians aren't the only ones out in the street singing stories. film is a pretty prevelent goal here filled with artists embracing the digital age and it's cost-effectiveness.
benji was one of these memphis cats. after earning his bachelors degree in fine art and sculpting he worked various jobs, including radio, but somewhere, too close to graduating, he realized, despite his massive talents, he didn't want to do it for a living. (enjoyed the conversation and free wine at art openings more than the art, he says.) he wanted to make movies.
without money, or professional training, benji did make movies. one feature film in particular called "
the right questions" earning him critical claim across the states and especially in memphis.

one of his technical inspirations for making this film came from another memphis film cat named craig brewer.
(left)craig directed a film called "
the poor and the hungry" in much the same gorilla way benji did, which was one of the inspirations benji got. the fact that craig could do it, and win hollywood film festivals, and find his name in magazines like premier as one of the top up and coming directors, etc., made the dream for a directing career look just that much closer.
i met craig at the premier of "the right questions" in memphis. it was a quick meeting, but he remembered me. he came into blockbusters on poplar a lot, where i worked and we'd chat it up about this and that and i never made him pay late fees. he knew i was a writer and involved in film and with benji and asked if i would read a script he was working on called "hustle and flow."
seeing as he was a local famous person and all i was really excited to see what he looked like in print. the next day i got to work and he had dropped off the script in a white binder. i read it and we talked about it on the phone a bit. honored, and maybe a little nervous, is the word to describe my feeling. really, i don't think you can find anyone that has one bad thing to say about the man. he's just nice.
still didn't talk to him much, other than at work. he gave me an invite to his slammin' halloween party, which i went to with brandon. the most important thing i got to do that night was talk all night with
buddy wakefield. he's a fucking phenominal poet, i swear to god. and when he left someone asked me if i knew who i was talking to. "no," i said. "
bud-dy wake-field." they said it slowly with a bit of teasing and shock, as if i had been sitting there having a beer with big bird, and i should know better.
well. thank god for that halloween party, as i might have never discovered such wonderful words. and thank god for all that buddy was drinking that night, as he might not have ever talked to me. ha.
if you've turned on your tv lately, you've probably noticed that "hustle and flow" has left the confines of that little white binder and won itself a sundance audience award and a great big distribution and marketing campaign. it has saturated the talk shows. and all of memphis plus me feels very proud of craig.
benji and i went last night. the theatre was packed. we had to sit on the
second row. there were a couple of old white couples, bless their hearts, who obviously heard the npr broadcast.
i'm not sure what i really think of the movie. i want to like it because it's craigs and that sort of skews my opinion. i think that the cinematography, lighting, and color were wonderful. i think the accents were too thick and unconvincing. the humour and dialogue delivery were good. i think i didn't really care too much about the story as a whole, though. i did laugh out loud a lot.

and this girl to the left made me cry. damn she's good.
everything looked exactly as i saw it in the script, which is always good. craig is an excellent and delicate writer.
i went looking for the script he had given me years ago. i thought it would be neat to look over, to say i owned. apparently in the memphis moving purge i told you about a couple posts back, i threw it out.
tonight i moved all the stuff out of my photography binder into a bigger one. i tore the label off the spine.
underneath it read: craig brewer.